MONIQUE BECKER

March 13- June 3, 2024 l Córdoba, Argentina.

I believe that beauty isn't a substance in itself

but rather a sketch of shadows,

a play of light and dark created by

the juxtaposition of different substances.

Junichiro Tanizaki.

Who dwells in the dark?

The narrative unfolds on immense, white, and luminous canvases spread out on the floor or against the studio wall. On this snowy surface, artist Monique Becker begins her ritual, unveiling the secrets hidden in the act of painting.

Her initial visions trace figures derived from nature; however, their shapes gradually blur under the layers and veils of thick paint that she insistently layers onto the canvas, transforming it into the texture of leather or tree bark.

The action is vigorous; Becker paints with intensity, and her gestures merge with the paint on the canvas.

What was once a luminous landscape now turns into a realm of shadows and mystery.

This instability from one world to another, the new geography of traces of figures and shapes that remain nearly invisible yet latent in the depth of the material, is the territory Becker knows, contemplates, feels, and inhabits.

According to the esteemed Japanese thinker Junichiro Tanizaki, beauty does not reside solely in light. On the contrary, the essence lies in capturing and learning to appreciate objects veiled by reflections, finding fascination in the softness of darkness to shield us from all that glitters.

In Becker's paintings, subtle hues of greens, pinks, and blues overlap, fold, and grope their way to a delicate play of modulation and the darkness of shadows.

For the exhibition, the monumental canvases are displayed suspended, highlighting the thinness of the stripped fabric and the boundary of the pictorial language that becomes an object.

As visitors walk through the works, the image and metaphor of a forest emerges as a possible interpretation and analogy. The forest opens a portal to other dimensions: an impenetrable, mysterious, and labyrinthine space—a place to get lost, isolate, and forget oneself, but also where one can rediscover and undergo catharsis.

Becker's imagination and narratives lead us to dreams and magic, to the possibility of the unexpected, to appearances and ghostly specters, to the ancient and timeless sounds of the wind and earth's echoes.

Monique Becker's work explores these poetic universes, endowing them with the singular beauty of depth, density, and the abyssal.

Luz Novillo Corvalán

Curator

About the Artist

Monique Becker (Luxembourg, 1958) is a contemporary artist with a promising career, who looks permanently for reaching the excellence in her creations. Her permanent goal to improve herself and perfect her technique, make her a non-stop professional who experiment and explores permanently in different ways.

Even she painted her entire life, she had the chance to study and form herself by the hand of big Artists, as the prestigious Prof. Hermann Nitsch (Germany), Prof. Markus Lüpertz (Austria) and Siegfried Anzinger.

Monique’s works present an ongoing exploration of the colour black in contrast to white and grey shades, as well as earth tones. The artist creates poetic large formats in which utter physical commitment and a close engagement with the canvas are required. Inherent in the artist's paintings are a high degree of spontaneity as well as a dynamic use of brushes, body parts and colours. It is not uncommon to see relieflike elements in the artist's paintings, high- lighted by the full use of her body, but mostly her hands, revealing claws and scratches. The artist brings forth a vibrant festival of colors - black, white, grey, ocher, brown, pale pink, olive green - and inflamed movements that captivate the viewer. The artist is expressing freedom and “a joie de vivre” by superimposing and the coexistence of paint layers and materials. Monique’s paintings evoke a sensual intensity and are charged with emotions. The artist focuses on herself and her sensations, which are often shaped by her engagement with nature.

Known for her black paintings, Monique have also surprised with a series of white paintings and even some others with strong colours. Nevertheless, nothing is ever black or white. The white and the more figurative are usually hidden under the many layers of paint.

Her works are part of important private and public collections (MUDAM- Musee d’Art Moderne Luxembourg-, Ministère de la Culture, Luxembourg, and more). Currently, she lives and works in Luxembourg.

Art works I Exhibitions

2023

  • Luxembourg Art Week, Booth Valerius Gallery, Luxembourg

  • “Pink Chair ” , Solo show, Valerius Gallery, Luxembourg

2022

  • Konschthaal Museum Esch, Esch-sur-Alzette, Luxembourg

  • “Where the sky is pink and the grass is green”, Valerius Gallery, Luxembourg

  • Luxembourg Art Week, Booth Valerius Gallery

  • Paper Positions Berlin, Booth Valerius Gallery, Berlin, Germany

  • BAD+ Bordeaux Art & Design, Booth Valerius Gallery, Bordeaux, France

2021

  • Salon du CAL 2021, Group Show, Luxembourg

  • “SEND NUDES!”, Solo Show, Valerius Gallery, Luxembourg

  • Luxembourg Art Week, 12-14 November, Booth Valerius Gallery,

2020

  • Salon du CAL 2020, Luxembourg

  • Group show, Valerius Gallery, Luxembourg

  • “NAKED IN THE DARK”, Solo show, Hesper Kierch, Luxembourg

  • Luxembourg Art Week, November, Booth Valerius Gallery , Luxembourg

  • Art Fair Dijon, France / 8 - 10 October, Booth Valerius Gallery

2019

  • Salon du CAL 2018, Luxembourg

  • Solo show, Valerius Gallery, Luxembourg 2017

  • Galerie Schlassgoart, Esch-sur-Alzette, Luxembourg

2018

  • Salon du CAL 2018, Luxembourg

  • MONIQUE BECKER, Solo show, Valerius Gallery, Luxembourg

2017

  • Salon du CAL 2017, Luxembourg

  • Opening show, Valerius Gallery, Luxembourg

  • Galerie Anarkia, Reykjavik, Iceland

  • Abschlussausstellung von Prof. Lüpertz, Kolbermoor, Germany

  • 9e Biennale d’art contemporain, Strassen, Luxembourg

2016

  • New Jorg Gallery, Kalmthout, Belgium

  • Galerie, Kunst am Gendarmenmarkt, Berlin, Germany

  • Abschlussausstellung von Prof. Hermann Nitsch, Kolbermoor, Germany

Projects I Site specific Installations

  • 2020 Bâtiment 4, Esch-sur-Alzette, Luxembourg

  • 2020 Fuelbox IV, Group show, Howald, Luxembourg

  • 2019 Aal-Esch, Collective Exhibition, Esch-sur-Alzette, Luxembourg

  • 2018 LANKELS, Collective Exhibition, Esch-sur-Alzette, Luxembourg

  • 2017 UECHT, Collective Exhibition, Esch-sur-Alzette, Luxembourg

  • 2016 ZAEPERT, Collective Exhibition, Esch-sur-Alzette, Luxembourg

Public Collections

  • MUDAM - Musée d’Art Moderne Luxembourg – 2021

  • MINISTERE DE LA CULTURE, Luxembourg – 2020

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